Amazon cover image
Image from Amazon.com

Artistic practices and archaeological research / edited by Dragoş Gheorghiu and Theodor Barth.

Contributor(s): Gheorghiu, Dragos [editor.] | Barth, Theodor, 1959- [editor.]
Language: English Series: : Publisher: Oxford : Archaeopress Publishing Ltd, 2019Description: 1 online resource (ii, 184 pages) : illustrations (black and white, and color).Content type: text | still image Media type: computer Carrier type: online resourceISBN: 9781789691412 Subject(s): Archaeology and art | Experimental ArchaeologyAdditional physical formats: Print version :: No titleOnline resources: Connect to Electronic resource.
Contents:
Contents; Introduction: Exposition and Transposition. Seeking an Ontologic Sensoriality in Contingencies – by Theodor Barth; Convergences: Archaeology and Art – by Giulio Calegari; Art as Entangled Material Practices. The Case of Late Iron Age Scandinavian Gold Foil Figures in the Making – by Ing-Marie Back Danielsson; The Mediality of Rock and Metal. Exploring Formal Analyses of Rock Art through Graffiti – by Fredrik Fahlander; The Diverse Sense of Frontality of Prehistoric Pottery: At the Time of Production, Deposition, and Publication/Exhibition – by Makoto Tomii; Art or Creativity? From Archaeological Photo-Ethnography to Art: Approaches to Two Contemporary Sites – by José Ant. Marmol Martinez; Heidegger at Work. An Archaeological Employment of a Theory of Truth in Art – by Ylva Sjostrand; Art and Thought – by Marcel Otte and Hans Lemmen; Experimenting the Art of Origins: Animating Images by Blowing Colours and Sounds – by Dragoş Gheorghiu; 'Who's Afraid of Virginia Woolf?' Art, Archaeology and Forensic Anthropology – by Theodor Barth and Ane Thon Knutsen; Epigraphy in the Landscape: Intersections with Contemporary Ink Painting and Land Art – by Lia Wei; Magnetic Boulders. Unfolding Stone with Gestures and Light – by Geir Harald Samuelsen; PORØS: A Model of Resistance as Material Communication – by Neil Forrest and Theodor Barth; Virtual Art in Teaching and Learning Archaeology: An Intermedia to Augment the Content of Virtual Spaces and the Quality of Immersion – by Dragos Gheorghiu and Livia Stefan.
Holdings
Item type Home library Collection Shelving location Call number Copy number Status Date due Barcode Item holds
Ebook Ebook British Museum Britain Europe and Prehistory Online EBOOK (Browse shelf(Opens below)) 1 Not For Loan
Total holds: 0

Includes bibliographical references.

Contents; Introduction: Exposition and Transposition. Seeking an Ontologic Sensoriality in Contingencies – by Theodor Barth; Convergences: Archaeology and Art – by Giulio Calegari; Art as Entangled Material Practices. The Case of Late Iron Age Scandinavian Gold Foil Figures in the Making – by Ing-Marie Back Danielsson; The Mediality of Rock and Metal. Exploring Formal Analyses of Rock Art through Graffiti – by Fredrik Fahlander; The Diverse Sense of Frontality of Prehistoric Pottery: At the Time of Production, Deposition, and Publication/Exhibition – by Makoto Tomii; Art or Creativity? From Archaeological Photo-Ethnography to Art: Approaches to Two Contemporary Sites – by José Ant. Marmol Martinez; Heidegger at Work. An Archaeological Employment of a Theory of Truth in Art – by Ylva Sjostrand; Art and Thought – by Marcel Otte and Hans Lemmen; Experimenting the Art of Origins: Animating Images by Blowing Colours and Sounds – by Dragoş Gheorghiu; 'Who's Afraid of Virginia Woolf?' Art, Archaeology and Forensic Anthropology – by Theodor Barth and Ane Thon Knutsen; Epigraphy in the Landscape: Intersections with Contemporary Ink Painting and Land Art – by Lia Wei; Magnetic Boulders. Unfolding Stone with Gestures and Light – by Geir Harald Samuelsen; PORØS: A Model of Resistance as Material Communication – by Neil Forrest and Theodor Barth; Virtual Art in Teaching and Learning Archaeology: An Intermedia to Augment the Content of Virtual Spaces and the Quality of Immersion – by Dragos Gheorghiu and Livia Stefan.

Description based on online resource; title from home page (viewed on February 28, 2019).